I keep in mind very clearly when my love for design started, it was whereas I was watching a VHS tape of the 1961 film, The Parent Trap.

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To put it briefly, our search revealed that none of the houses on the market in our restricted location and with our restricted (but reasonable) budget matched what we were looking for. It also brought up a number of houses a little bit further afield that seemed to be ideally suited household houses. The only downside was, these houses have been out of the principle ‘sought after’ area. We drove past a few of these houses, however instantly discounted them as a consequence of ‘being in the wrong space’. The college catchment was also mistaken. We made appointments to view a couple of houses that were inside our most popular location, but none of them felt like the ‘proper’ home for us. They were also extraordinarily expensive with no off-street parking, reception rooms that had been precisely the identical size as in our present house and gardens that had been small and impractical for a household.

Furthermore, one other notable lasting affect on Shigeru Ban was Scandinavian architect Alvar Aalto. It is interesting to check with Aalto and examine his works to Ban’s, and to subsequently further perceive the Furniture House by having a look at Aalto’s work with vernacular structure. Ban has designed and constructed the Furniture House in line with the home issues facing Japanese society: the threats of impending earthquakes, falling furnishings and fragility of the buildings. Ban confirmed that Aalto was one of the most progressive architects” he knew and that without him, he would not have been in a position to discover his personal model”. Furthermore, it is well known that Ban is among the publish-battle technology architects who has strived to hold on Aalto’s legacy by taking a novel strategy to design and to use materials. Aalto’s work with natural materials has had an amazing influence on Ban, noticeable from his paper and bamboo structures for instance.